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Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

這部動(dòng)畫片怎么看都不會(huì)厭煩，嘿嘿……

三位藝人+三位經(jīng)紀(jì)人，看起來(lái)很隨意很套路的觀察類節(jié)目，但是選角出色綜藝就開始有意思了

在那種環(huán)境下，還可以傻白甜。真心服的。

私人口味，私心多一星。