though i don’t think this is a good story (overall cliche but cant tell what the ending is until the last minute of the film), i’m still drawn to its exquisite retro look, style, music, and bold yet harmonious colors applied, which are so to my taste that i can overlook its plot deficiencies. better than The Breakfast Club from the same writer imo.
喪尸這個標簽本身是無秩序無規(guī)則的代表,沒有文明,沒有體系,但我偏要給你一個體系,給你一種文明,我要讓你騎著馬,拿著長矛,像帝王一樣傲視天下,號令群尸,這是在干嘛?這是創(chuàng)世。創(chuàng)世邪神與人締結(jié)約定,獻祭就可得到寶藏,然而人類當中的“猶大”殺死了夏娃,間接導致圣子夭折,創(chuàng)世神一怒之下帶領群尸大開殺戒。你看那邪神高舉著圣子,發(fā)出絕望的哀鳴,眾“神”皆為其悲,這一下就明白為什么那個鎖被稱為諸神黃昏了。扎導的放飛不在影像上,而在內(nèi)涵上,用喪尸來比喻神,離經(jīng)叛道,林詣彬還在咣咣咣研究火箭飛車,扎導已經(jīng)把《速度與激情》的大劫案模式與《猩球崛起》的異類文明融入喪尸題材了,算不上多高明的創(chuàng)新,但是這個東西別人還真就來不了。話說回來,文戲太垮,真希望有天扎導能拍一部沒有文戲的片,silent of the Dead,《萬尸俱寂》。