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With Maiko, somewhere in 2018. I had watched the movie, and she told me that she had been to the places in the movie. We were sleepless as well. I've always liked sleeplessness, defiant agaisnt death, a conscious dream. Irrelevant things and words come up. No time's passing. Solid. But the days are gone, and I miss you. In a movie that I used to like, and all the movies that I used to have liked. In them I miss many things, including the futrue, a dog, and the past. But just like the nights the future will be another's too; Melbournian evenings, streets warm and far away and the river quietly sinking; I dive deep, lights blinking, my white table kills, namelessly, a city's doomed fate.

看起來是給郝蕾定做的，實(shí)則金燕玲的形象才是塑造和表演最好的。和那些只管灌輸情緒不管發(fā)泄出口的作品相比，這部起碼用一段獨(dú)白來找到了出口。其實(shí)和王小帥的電影是有異曲同工的，看起來講母女性格差異，實(shí)則是講對(duì)文革后遺癥的批判，金燕玲飾演的嵐其實(shí)就是一個(gè)活生生的紅衛(wèi)兵形象，年輕的時(shí)候舉報(bào)老公的做法完全就是她沒走出做紅衛(wèi)兵時(shí)的那種成就感，這種掌握權(quán)力的成就感銘刻到她（那一代人）的骨子里，看起來是信佛，其實(shí)是信毛，毛的離開只能讓她來在佛身上找到寄托，同學(xué)聚會(huì)唱紅歌，生病之后春潮蔓延進(jìn)來，一堆人還堅(jiān)定的歌唱祖國(guó)。事實(shí)上，沒人任何人能比紅衛(wèi)兵這代人更愛國(guó)了。

14s的片段分析了50分鐘，球員教練都承認(rèn)錯(cuò)誤努力回顧當(dāng)時(shí)的細(xì)節(jié)，只為從哪里跌倒就從哪里爬起來。期待卡塔爾日本隊(duì)的表現(xiàn)，富安健洋快快好起來。

溫情戲很有愛，只是我到倒數(shù)半小時(shí)才理清所有關(guān)系

一部唯美的韓劇。李鐘碩，裴秀智和丁海寅…絕了，這個(gè)陣容現(xiàn)在很難湊了，畢竟都是能當(dāng)主角的人了。 睡夢(mèng)中可以預(yù)見未來，這是女主角的特殊能力。李鐘碩的角色是一個(gè)非常欠登兒的見習(xí)法官，丁海寅是隔壁熱血鄰家哥哥。 韓劇營(yíng)造的美好的夢(mèng)幻的生活氛圍是我們?cè)谶^得不如意時(shí)候的精神鴉片。偶爾還是要吸一吸的。