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Best black romantic comedy of all time? Hal Ashby tries for something so far-fetched, so absurd and subversive that it will only resonate with a few. Its ambition and aesthetics are reminiscent of Dadaism, while its dandy characters feel like the eccentric successors of Des Esseintes from “A Rebours” by Huysmans (1884). Dark, dead-pan humor along an artistic style & intellectual tone shape its mood - death and simulated suicide constantly hanging over. It never fades into nihilism though. Instead, Harold & Maude can be construed as an inspired parable conveying a simple but authentic philosophy of life, an ode to unbounded love and life freed from social norms & disciplinary institutions.

小J總是很會挑劇本。最喜歡這個funked-up adult在紐約街頭聽著搖滾樂毫無顧忌地跳舞，還有徒手暴力拆房那段。疲憊煩躁的工作之余看這本電影很治愈。是不是也推倒重建一下自己失敗的人生呢？

尷尬的配音，生硬的演技，一個演員出身的人演技被一個歌手碾壓...

系列電影走到這個時候其實(shí)很尷尬，一方面原來的受眾已經(jīng)長大，打感情牌容易被罵。走老路，這一批年輕的觀眾又不吃這一套了，不過以7.0結(jié)尾，至少說明汽車總動員這個系列絕對是成功的。說回來3，本身是帶“總動員”三個字的動畫電影，幾乎沒有讓我失望過，就像你長大了，以前能玩泥巴玩半天，現(xiàn)在不能，電影也是如此，3的故事老套，程序，可是總有那么幾個細(xì)節(jié)讓我想起從前，麥昆想要找回曾經(jīng)的自我，像極了長大的我們。

沖著朱亞文看了24集，我也是盡力了，實(shí)在不喜歡馬伊俐