在B站看完。紀錄片之父Robert Joseph Flaherty在極地探險中無心插柳的偶然產(chǎn)物,很多拍攝手法(如選取特定個體做有始有終的特寫)延用至今,因此雖可能存在搬演和擺拍行為,但沒必要用如今的紀錄片原則跨時代做規(guī)范。相當忠實完整地展現(xiàn)了愛斯基摩人一家的生活切片,包括制作獨木舟、獵殺海象北極狐和海豹、與白人開展貿(mào)易、舉家遷徙、建造冰屋(igloo)、日常寢食梳洗等等,難得地避免了白人至上主義,而是帶著世界主義關(guān)懷的精神雛形——“謙虛對待研究對象,信賴自己手中的工具?!盤s. RJF后來還跟茂瑙合作,在描述毛利人風土人情的《禁忌》中擔任攝影、編劇和制片人。
This is one of the classic Soviet silent films. The story is about a family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike. The plot is simil