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做個男人，就要多危難都能保護自己的老婆孩子

挺好看的 遠離塵囂 自給自足 簡簡單單的過日子

暴力與罪惡的循環(huán)，就在貧瘠混亂的里約大地上不斷上演。震撼人心的巴西景觀與社會現(xiàn)狀，深不見底的罪惡與殘忍決絕的人性。

巖井俊二想啥呢？嫁接實驗嗎？同樣的一組人物和情節(jié)，安插在中國背景中，倒也沒什么水土不服的，反正這么飄的一個故事，擱哪里都是硬拗姿勢。關鍵在于，它根本不值得拍兩遍。所有人物、景物，連鏡頭前籠罩的一團空氣都是灰撲撲、霧蒙蒙、臟兮兮的。日版至少鏡頭美，還有點巖井獨屬的“歲月靜好”的仙氣兒。

Like all the best directors, Almodovar works out problems in life through his films. Pain and Glory remains his most personal -- and hence best -- film to date. Almodovar strips his convoluted storytelling (which conceals more than reveals) to the bare minimum, displaying his lifelong concerns and obsessions with unprecedented nakedness. Like Citizen Kane, the film is at heart about discovering memory, and the key to protagonist, a version of Almodovar, is found in childhood.